Bluejacket, HMS ‘Comus’ - Attributed to Louise Caroline Alberta Art Print

$25USD
  • Printed in USA, UK, EU & AUS
  • Archival grade fine art paper and canvas
  • Giclée printing stays vibrant up to 100 years
  • FSC® paper & wood + non-toxic pigment inks

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 This oil portrait of a Royal Navy bluejacket from HMS Comus, attributed to Princess Louise, pulls the nineteenth-century enlisted man out of historical anonymity and into oil's full gravity.

The flat-cap sits at a rake over dark hair, and beneath it, a gaze calibrated to squalls. The navy serge absorbs light at its shadowed folds while the red crown-and-chevron rating badge burns against the sleeve — scarlet on midnight blue, rank coded into wool.

Flesh tones shift from terracotta along the cheek to cooler umber in the beard's depth, the brushwork sliding between academic precision and atmospheric looseness at the cloud-banked horizon. A man who knows rope-calloused work gets painted with the attention usually reserved for admirals. That weathered, olive-warm face, soft-blended at the jaw, betrays no deference to the royal hand that painted it.

Origin Story

Princess Louise Caroline Alberta (1848–1939) broke two kinds of stone — the protocols of Victorian royalty, and the marble she carved into monuments. The fourth daughter of Queen Victoria, she became the first British royal to attend a public art school, training under sculptor Mary Thornycroft before studying at the National Art Training School, South Kensington, under the tutelage of Joseph Edgar Boehm. Her marble busts of royal siblings entered the Royal Collection; her luminous paintings were shown at the Royal Academy and the Grosvenor Gallery.

Her most enduring works stand in stone and bronze: the monumental marble statue of Queen Victoria in Kensington Gardens — acclaimed in 1893 as the finest of its kind — and the Boer War memorial in St Paul's Cathedral. As viceregal consort in Canada, she helped found the Royal Canadian Academy of Arts and the National Gallery of Canada, and painted the Canadian landscape with a painter's freedom she never relinquished.

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Framed Art Prints

How to Hang your Artwork

1. Vertical

Use the sawtooth hanger at the top middle on the back of the frame and hang it on a single screw or nail.

How to Hang your Artwork

2. Horizontal

Hang the two sawtooth hangers on two screws or nails at the same heightPut two screws or nails in the wall at the same height, spaced the same distance apart as the two sawtooth hangers, then hang your print on them.

How to Hang your Artwork

Framed Canvas

How to Hang your Artwork

1. D-rings (most secure)

Screw a D-ring onto the back of the frame on the left and right, both at the same height. A ruler helps here. Then put two screws in the wall where you want your canvas, level with each other and spaced the same distance apart as the D-rings. A spirit level makes this easier. Finally, hook the D-rings onto the screws.

How to Hang your Artwork

2. Straight onto screws

Keep it simple: put two screws in the wall at the same height and rest the inner lip at the top of the back of the frame on them.

How to Hang your Artwork

1. Cost

Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping =

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

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Every package tracked from A to B to You.
Sent carbon neutral at no extra charge.
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2. No guarantees your return will be approved if you send items back before the approval of your return request.

3. No returns, refunds or exchanges on discounted or sale items.

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The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
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Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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