Curate This

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Emile Prisse D’avennes La Decoration Arabe Plate 23 - Art Phone Case - Iphone 14
Emile Prisse D’avennes La Decoration Arabe Plate 32 - Art Phone Case - Iphone 14
Emile Prisse D’avennes La Decoration Arabe Plate 80 - Art Phone Case - Iphone 14
Emile Prisse D’avennes La Decoration Arabe Plate 51 - Art Phone Case - Iphone 14
Emile Prisse D’avennes La Decoration Arabe Plate 36 - Art Phone Case - Iphone 14
Floréal-dessins And Coloris Nouveaux By Emile-alain Séguy - Art Phone Case -
La Decoration Arabe Plate 40 Et 41 By Emille Prisse D’avennes - Art Phone Case -
La Decoration Arabe Plate 5 Et 6 By Emille Prisse D’avennes - Art Phone Case -
Emile Prisse D’avennes La Decoration Arabe Plate 21 - Art Phone Case - Iphone 14
Emile Prisse D’avennes La Decoration Arabe Plate 9+10 - Art Phone Case - Iphone
Emile Prisse D’avennes La Decoration Arabe Plate 52 - Art Phone Case - Iphone 14
Emile Prisse D’avennes Pattern La Decoration Arabe Plate 33 - Art Phone Case -

Phone Case FAQs

A Tapestry of Tradition: Islamic Geometric Patterns

Islamic art is renowned for its intricate geometric patterns, and these phone cases are no exception. Inspired by the mesmerizing designs found in Alhambra, these cases are a blend of symmetry, precision, and creativity. Whether it's the iPhone 14 Pro Max or the latest Samsung Galaxy S21, each case is tailored to fit your device, transforming it into a piece of art that fits in your pocket.

Protection with Panache: Function Meets Fashion

Phone cases are essential for protecting our beloved devices, but who says they have to be dull? These Islamic design phone shells are crafted with care, offering robust protection without compromising on style. Whether it's the sleek elegance of an Apple iPhone or the versatility of a Samsung smartphone, these covers are designed to complement your device while reflecting your unique taste.

A Global Canvas: Islamic Art for Every Device

Islamic art transcends borders, and so does this collection. Available for various phone models, including the iPhone 13 Pro Max and the previous models like iPhone 12, these accessories are a universal expression of Islamic culture, Arabic religion, and geometric design. It's not just a phone cover; it's a piece of global heritage that you carry with you.

The people behind our artistic and designer iPhone cases are treated well and paid fairly

Everyone we work with to create our cell phone cases are in business for good — to do good.

Everyone in the supply chain that brings you this cell phone case works for a business committed to ending slavery & forced labor

So if you're in the market for an artsy phone case that does good in the world, you can rest assured that our iPhone cases are all mindfully made by folks in safe and generous environments.

When you shop our artsy phone cases, you really are supporting more than a stylish cell phone case

We take pride in our commitment to ethical consumption. For every iPhone case you purchase, we plant a tree. Plus, you'll be supporting our giveback program. Meaning your new cell phone case will be funding educational and health initiatives around the world. So not only will your new iPhone case make your device extra stylish, this little indulgence will have a truly positive impact on the lives of others. What on Earth could be better than that?

Islamic Calligraphy

Calligraphy is the artistic practice of handwriting. Islamic calligraphy developed from the need to produce Qur'ans and other religious texts. Calligraphy became one of the most revered art forms in the Islamic world. Common scripts used in Islamic calligraphy include Kufic, Thuluth, Naskh, Muhaqqaq, Riqa' and Tawqi'. Calligraphy is found on architecture, coins, ceramics, and textiles.

Islamic Geometric Patterns

Geometric patterns are common in Islamic art, largely because their abstract, non-representational nature complies with the Islamic prohibition of idolatry. Geometric designs are used to decorate buildings and objects ranging from monumental architecture to small ceramic tiles. Common geometric patterns include spirals, circles, stars, polygons, and interlacing lines.

Islamic Arabesque

Arabesque refers to the elaborate application of repeating geometric forms and vegetal motifs. This type of dense decoration is common across mediums like architecture, ceramics, textiles, and manuscripts. The motifs are often stylized versions of plants, sometimes interlaced with geometric patterns.

Islamic Figural Representation

While religious Islamic art avoids figurative images for worship spaces, figural art did develop in some contexts. Manuscript painting, ceramics, textiles, and secular architecture feature representations of human and animal figures. These images were often stylized in keeping with the non-naturalistic tendencies of Islamic art.


Islamic art is deeply connected to religion, as it grew out of the need to adorn mosques and religious scriptures. Calligraphy of Quranic verses is a major theme, seen on architecture, coins, ceramics and more. Mosque architecture is also decorated with religious symbolism. However, not all Islamic art is religious in nature.


Intricate ornamentation using geometric patterns, arabesques, and stylized plant motifs is prevalent in Islamic art. These abstract, non-representational designs comply with the Islamic prohibition on idolatry. Ornamentation is found across mediums like ceramics, textiles, manuscripts, and monumental architecture.


Islamic artistic styles and techniques reflect interconnections between different cultures through trade and diplomacy. Chinese influences shaped Islamic pottery and textiles, while Central Asian nomadic styles also contributed. Islamic art builds on Byzantine, Persian, Roman, and other traditions.

Diverse Patronage

Islamic art was sponsored by a diverse range of patrons including caliphs, kings, other elites, and everyday people. Art was produced for religious, official, and personal contexts. This variety of patronage led to diversity and innovation in materials and techniques.

Technical Innovation

Islamic art is marked by constant technical innovation and mastery of materials like ceramics, metalwork, stucco, glass, and more. The production of luxury objects and architectural ornamentation advanced many technical skills.

Overview of Color Symbolism in Islamic Art

Color has deep symbolic meaning in Islamic art and is closely tied to religious beliefs. The Quran mentions several significant colors, and these colors took on spiritual meaning for Muslims. Common colors and their meanings include:

  • Green - Associated with paradise, nature, and Islam itself. Often used to decorate mosques.
  • Blue - Represents heaven, spirituality, and truth.
  • White - Symbolizes purity, light, and innocence.
  • Red - Passion, power, and sacrifice. Also associated with the blood of martyrs.
  • Black - Mystery, mourning, and the unknown.
  • Gold - Wealth, glory, and enlightenment.

Beyond specific color symbolism, Islamic art emphasizes bright, vibrant colors as a reflection of the divine light. Intense reds, blues, greens, and gold leaf illuminated manuscripts and mosques, creating a sense of splendor.Floral motifs were common in Islamic art. Stylized leaves, vines, flowers represented the wonders of paradise described in the Quran. Geometric patterns also featured prominently, as Islam prohibits figurative images. Calligraphy was used decoratively.

Examples of Color Use

  • Green dominates mosque interiors, covering walls, carpets, and domes. Green tiles decorate facades.
  • Blue is prominent in tilework and glazed ceramics, such as those covering the Mosque of Sultan Hassan.
  • Gold leaf embellished Qurans and other manuscripts. Pigments like cinnabar, vermilion, and saffron yellow were used in illustrations.
  • Persian miniatures combined vibrant mineral pigments and gold leaf. The painting "Youth Reading a Letter" features a vibrant red ground with a youth in a green robe against a gold background.
  • Textiles featured colorful designs. Ottoman silks used saffron yellow, indigo blue, crimson reds and emerald greens in complex patterns.

In summary, color was an integral part of conveying spiritual meaning in Islamic art. Vibrant hues reflected the divine light while specific colors carried symbolic significance derived from the Quran and other Islamic texts. The exuberant use of color created a sense of paradise on earth.

Islamic art is characterized by the use of geometric patterns and motifs rather than figurative images, as Islam prohibits depictions of God, prophets, and living beings. These repetitive geometric designs reflect the infinite and perfect nature of God. Here are some common patterns and their significance:

  • Circles - Represent unity, perfection, and the divine. Circles commonly overlap and interconnect, symbolizing the unity of the cosmos.
  • Stars - Symbolic of divine guidance. Stars are often drawn with 6 points representing the six days of creation. 8-pointed stars represent paradise.
  • Squares - Stability, honesty, and earthly existence. Squares often contain circles, juxtaposing earth and the heavens.
  • Octagons - An 8-sided polygon associated with paradise and renewal. The 8 sides can represent the 8 levels of paradise.
  • Calligraphy - Elegant Arabic script used decoratively. Quranic verses and God's attributes like mercy and wisdom were common.
  • Floral Motifs - Stylized leaves, vines and flowers reflect paradise. The 'Tree of Life' represents immortality. The lotus is a symbol of purity.
  • Muqarnas - Three-dimensional honeycomb shapes decorate domes and vaults. This ornate geometry reflects infinite divine wisdom.
  • Girih Tiles - Elaborate interlaced star and polygon shapes tile surfaces in complex harmonious patterns, reflecting order in the universe.

In summary, geometric patterns in Islamic art reflect religious beliefs about God, paradise, and the nature of the universe. Their repetitive nature conveys infinity, order, and the oneness of God.

The avoidance of depicting living beings in Islamic art stems from the Islamic prohibition against idolatry and creating graven images. The Quran does not explicitly prohibit visual representation of living beings, but there are some hadith (sayings and actions of Prophet Muhammad) that prohibit it. However, the extent and interpretation of this prohibition has varied significantly across time periods, regions, sects and scholars in Islam. Here is a brief overview:

  • In religious contexts like mosques, Qurans, etc. depictions of living beings are generally prohibited. This is because of the risk of them being worshipped as idols.
  • In secular contexts like books, palaces etc. depictions were more common, especially during the Ottoman, Safavid and Mughal empires. However, religious scholars often discouraged or criticized such art.
  • Figurative art was often stylized or abstracted rather than naturalistic to avoid accusations of idolatry. For example Persian miniatures show figures with little detail.
  • Calligraphy and geometric designs were emphasized as an alternative to depictions of living beings.
  • There are differences of opinion between Sunni and Shia scholars on the extent of this prohibition. Some Sunni scholars allow images as long as they are not worshipped.

So in summary, Islamic art tends to avoid figurative depictions, especially in religious contexts, due to the prohibition of idolatry. But the extent of enforcement and interpretation has varied across history. It is not completely forbidden in secular contexts.

Islamic art emerged in the 7th century CE after the rise of Islam and establishment of the first Islamic empires. It encompasses the visual arts produced across Islamic territories over the past 1400 years.Some key points on the origins and early development of Islamic art:

  • The religion of Islam was founded by the prophet Muhammad in the early 7th century CE in Mecca. After his death in 632 CE, Islam spread rapidly under the Rashidun and Umayyad Caliphates.
  • Early Islamic art was influenced by the existing artistic traditions of the conquered territories. These included Byzantine, Coptic, Persian and Central Asian styles.
  • Under the Umayyad Caliphate (661-750 CE), major Islamic architectural monuments were built, including the Dome of the Rock in Jerusalem and the Great Mosque of Damascus. Luxury arts like metalwork and ivory carving also developed.
  • The Abbasid Caliphate (750-1258 CE) ushered in a golden age of Islamic art and culture. Major Abbasid artistic centers included Baghdad, Samarra and Cairo. Styles became more distinctly Islamic over time.
  • Islamic art continued to evolve under later dynasties like the Ottomans, Safavids and Mughals. It incorporated new techniques and absorbed diverse cultural influences across the Islamic world.