Stag at Sharkey's - George Bellows Art Print / Canvas

$30USD
  • Forget cheap copies or printable posters
  • Archival grade fine art paper and canvas
  • Giclée printing stays vibrant up to 100 years
  • FSC® paper & wood + non-toxic pigment inks

Stag at Sharkey's locks George Bellows into a single savage instant — two fighters sealed at the chest inside Tom Sharkey's Athletic Club, their bodies a knot of raw flesh-pink impasto, Ashcan School oil paint driven by a brush that never slows. Bellows trained under Robert Henri; this 1909 work detonates his teacher's doctrine of street-level realism into something more feral. Crimson threads the left fighter's temple. Yellow-ochre shorts drag against black, the pigment smear reading muscle and momentum as one collapsed form.

The referee's white shirt catches artificial ring light — the only stillness amid the clinch. Around them, New York's working-class boxing crowd dissolves into lead-white and near-black nocturnal murk, faces half-formed, mouths open, pressing the canvas's lower register like tide.

Bellows painted illegality: the prizefight ban made these bouts underground theater. Every teal-black shadow holds that transgression — men paying to watch men break.

Origin Story

George Wesley Bellows (1882–1925) was the American realist who traded Columbus, Ohio's baseball diamonds for New York City's roaring tenements, and never looked back. Trained under Robert Henri at the New York School of Art, he became the vital heart of the Ashcan School — painting prizefighters, snowbound streets, and working-class crowds with a brushstroke as physical and urgent as a right hook. Stag at Sharkey's and Dempsey and Firpo crackle with raw kinetic energy; Cliff Dwellers teems with the unvarnished democracy of urban life.

Beyond the ring, Bellows turned his lithography press into a political weapon, contributing to The Masses and documenting wartime atrocities with unflinching moral clarity. Elected to the National Academy of Design at just twenty-seven, his canvases hang today in the Whitney, the Metropolitan, and London's National Gallery — proof that America's most muscular realist painted a nation in motion.

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White borders = 3 - 5% of shortest side

Matboards = 2" / 5cm

Framed canvas gaps = 3/8" / 1cm

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Produced on Demand

Produced after you purchase at print labs across the US, UK, EU & AUS. Significantly minimising landfill waste by only making things people actually want.

Production Time

Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

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Cost

Free shipping to Continental United States, Canada, UK, EU, Australia, New Zealand & more: see full list here.

Production + Delivery =

US: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

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Sent carbon neutral at no extra charge.

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
Classic wood frames
Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
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Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

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Peecho print shop employee inspecting artwork
Prodigi framed print production in progress
Print lab with multiple workstations where people are engaged in hands-on art print projects
Framing a canvas
worker stretching art print
Picture framer using a framing tool.

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Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
Premium float frames
The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
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Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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