Black & White Visions of Geometry, Memory, Nature and Form
Under the flicker of sodium street lights, perhaps. Along subconscious highways of the mind. We find this procession of monochrome curiosities emerging. Each a black-and-white relic of imagination’s feverish dreams. Encoded in the tactile whispers of daily objects made glorious.
In these modern art iPhone cases you'll find invocation: a dance of form and symbol, spun from the silk of centuries and set in resin. Their surfaces becoming tiny altars to vanished worlds, fleeting memories and reimagined realities. From fragments of Japanese gardens to Gothic fairytales and ocean cryptograms. Each monochrome phone cover a locus of wonder.
History’s echo pressed close to the warmth of your palm.
Let them whisper to you the secret histories of monochrome line and light...

1
Black & White Florals — Taguchi Tomoki iPhone Case
Taguchi Tomoki’s inked garden of Edo-era reveries flourishes across this phone case, turning your device into a handheld scroll. The peony’s layered folds, drifting beneath clouds and temple gates, hum with mono no aware. The melancholy beauty of impermanence.
Each petal’s brushstroke echoes the kacho-e aesthetic, a still life that speaks to the quiet ache of passing seasons. In these blossoms, you find the stripped back ritual of Kyoto’s incense-lit teahouses, the fleeting hush of a woodblock stripping a garden's color bare.
In this black and white wonder, Tomoki’s hand etched between eras — alive near the end of the Edo-era, he bridged Japan's modern history (and floral tradition) pressed in black and white. Turning your phone into a chamber of blooming revelations against your palm.
Get wanderlost in Tomoki's garden

2
Tiger — Franz Marc Expressionist iPhone Case
Franz Marc’s prowling tiger pulses through this phone case, its sinews etched in the fractal geometry of black and white. His brushwork fractures the animal’s form into angular muscle and breath, a tribute to German Expressionism’s kinetic fever.
Each stripe slices through the phone’s cold precision, an echo of Marc’s wild palette reduced to ink and shadow. I feel the electric possibility of the tiger’s stillness, a primal whisper beneath the device’s glass.
The phone case becomes a shrine to the animal’s restless prowl, each clawed edge a moment of instinct. It is a quiet riddle, a geometry of motion waiting in your hand.

3
Geum Rivale — Karl Blossfeldt iPhone Case
Karl Blossfeldt’s Geum Rivale bud reveals itself as a patient monument, each ridge and fold carved into silver gelatin clarity. Blossfeldt’s 1920s Berlin darkroom conjures a prayer to nature’s geometry, each tiny sepal arching like cathedral buttresses. This phone case holds that same devotion: every groove and petal captured in quiet detail.
The botanical geometry emerges as a study in growth’s slow poetry, each ridge a record of patient unfolding. Blossfeldt’s hand was both botanist and sculptor, framing this bud’s gentle architecture in black and white.
You will feel that weight of observation in your own palm. Every glance becoming a gesture of reverence.

4
Skeleton with a Cigarette — Vincent van Gogh iPhone Case
Van Gogh’s skeleton, cigarette in hand, stares from this phone case with a dry grin. Each line of bone, etched in monochrome humor, is a sly subversion of anatomy’s tidy diagrams.
Feel Van Gogh’s laughter in the flick of smoke, the shrug of the skeletal shoulders. This isn’t a lesson in biology; it’s a carnival of bone, a sidelong wink at the stillness of death. The phone case becomes a stage for that bony smirk, a place where Van Gogh’s mischief flickers in every empty socket.
In your hand, the grin lingers: a quiet refusal to be anything but alive.

5
Rainbow — Alfred Stieglitz Black & White iPhone Case
Alfred Stieglitz’s 1920s lens captures a mountain rainbow in spectral monochrome, a hush of silver and shadow across this phone case. The rainbow’s arc, fleeting and almost spectral, arches above a brooding ridge.
Stieglitz’s photographic alchemy turns this ephemeral gesture of light into a relic of storm and breath. In the phone’s cold glass. Look and see the fragile bridge between rain and sky. The mountain’s weight presses beneath the whisper of cloud.
This phone case becomes a window to that vanished storm, a brief moment of silver nitrate, wet air and all the colors of the rainbow... ready to nestle in your palm.
Look on the bright side of life

6
Laziness — Félix Edouard Vallotton Woodcut iPhone Case
Félix Vallotton’s “Laziness” sprawls across this phone case. A woman's languid form carved in woodcut’s precise geometry. Resting in the hush of a Belle Époque salon? Her shape a hymn to indolence, quiet breath and time to spare.
Each line of the woodcut holds the echo of Paris’s velvet chambers. Repose pressed into the phone’s skin. You can almost feel the warmth of that idle moment in candle light.
Vallotton’s blade carves both shadow and stillness, giving this phone case a timeless invitation: to pause, to feel the weight of rest in your palm. It’s a quiet celebration of breath’s slow rhythm.
More black and white iPhone cases

7
Shell — Ernst Haeckel Black & White Sea Life iPhone Case
Ernst Haeckel’s oceanic labyrinth comes to life in this phone case, each shell spiral a record of vanished tidepools and mathematic wonder. His 19th-century illustrations carve the secret equations of sea life in precise monochrome ink.
Each whorl of the shell, frozen in black and white, is a hymn to the slow churn of marine forces. And with this treasure in your hand, you'll feel the hush of Haeckel’s mind, translating the sea’s cryptograms into glistening wonder. The phone case capturing that delicate architecture, a fossilized prayer to the sea’s quiet rhythms.
Each curve and rib recalls the hush of vanished foam. Alive again across the topography of your palm.
Listen for the sound of the ocean
More sea life art iPhone cases

8
Polystichum Munitum — Karl Blossfeldt iPhone Case
Polystichum Munitum unspools across this phone case, each barbed frond a relic of forest patience. Blossfeldt’s photographic rigors preserve the fern’s barbed poise, its shape captured in Berlin’s quiet laboratories. Each curve and shadow emerges as a testament to survival’s elegance.
The image is a study of time’s quiet engineering. Every line an archive of this fern’s evolution and choreography. Blossfeldt’s vision grants the fern a dignity in black and white, every barbed curve a record of growth pressed in the hush of photographic light.
And in the palm of your hand, this phone case becomes a window to the ancient hush of northern woods.
Unspool in choreographed splendor

9
Little Thumb — Harry Clarke Fairy Tale iPhone Case
Harry Clarke’s Little Thumb walks across this phone case, his boots trailing across a monochrome forest of crosshatched shadows. Clarke’s feverish etching reimagines the fairytale as a hush of gothic dream, each stroke a corridor of inked silence.
The figure drifts within a world of half-light and hidden thresholds, each line a secret path. I feel the pulse of folklore in the darkness, the echo of bedtime myths rendered in Art Nouveau’s flickering geometry.
This phone case carries that hush, a window to the dream’s edge where Little Thumb wanders. Each glance at it recalls the slow wander of shadowed tales.
Fly high in the sky with Little Thumb
More black and white iPhone cases

10
Hands and Horse Skull — Alfred Stieglitz iPhone Case
Alfred Stieglitz’s photograph of a hand poised above a horse’s skull captures a geometry of presence and echo, an encounter suspended in silver grain. This phone case holds that quiet tension: the soft curve of a hand against the bleached relic of bone, a dialogue of life and absence.
Feel the hush of 1920s gelatin prints in each monochrome gradient, the photographer’s breath woven into light and shade. In your hand, this case becomes an altar to that encounter—each brush of your fingertip a meditation on presence.
The skull’s hollow hush, the hand’s warm pause... they become your own.
Chart geometries of presence and echo

In these 10 black and white phone cases, you can hold the hush of botanical whispers, the pulse of Berlin’s darkrooms, or the ocean’s slow mathematics. Each one carries a fragment of vanished time, pressed to polymer and palm. Artifacts promising the quiet persistence of line and light.
In each swipe, each glance, the world flickers: a black and white memory, alive for a breath. They are not objects to be worn; they are talismans of seeing, a conversation with every vanished forest, every flicker of silver light. In your hand, you will feel the quiet song of memory’s geometry.