Little Raven with Minamoto Clan Sword - Katsushika Hokusai Art Print

Fine Art Prints

Forget cheap reproductions and printable posters. Only the best will do. Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. 

High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones.

The matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural.

Each frame is made of sustainably sourced FSC® certified European knotless pine, finished with ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision. Its natural white surface catches light and color with striking clarity.

A precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect.

Your choice of a black, white or natural frame: all made from sustainably sourced FSC® certified European knotless pine.

Giclée Printing

Katsushika Hokusai pins two worlds together in Little Raven with Minamoto Clan Sword: a jet-black karasu, wings torn open mid-flight, and a samurai's sheathed katana slung diagonal across its breast like a second spine. Lavender-gray tsuka binding, diamond-knotted, meets rust-red sageo cord looping the mottled saya three times over.

The bird's beak parts on a downward tilt; its pale eye ring catches light the paper never had. Ume branches claw upward at the corners, red buds and white blossom stitched in fine black outline against cream washi. Four columns of cursive kana float upper right, kyoka verse from the Genroku era pressed into service beside talons and steel.

In A Comparison of Genroku Poems and Shells, Hokusai's late Edo period woodblock hand favored flat pigment over shadow. Ochre and teal-blue laid thin across paper grain. Crow as omen, blade as inheritance: bushido iconography folded into a bird print that reads as elegy and armor both.