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Dracula's Daughter - Karoly Grosz Art Print

$35USD $28USD Sale
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About the Wall Art

Fine Art Prints

Wall Art Info

Forget cheap reproductions and printable posters. Only the best will do.

Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

Wall Art Info

Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Wall Art Info

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

Giclée Printing

Wall Art Info

Forget 4 color CMYK. Giclée layers up to 12 — alive with deeper shadows, richer highlights and multidimensional contrasts. Pro-lab printing process helps art stay bold & breathtaking for up to 100 years. And the neo-pigment, water-based inks are 100% non-hazardous and toxin-free.

About the Artwork

Look Out! She’ll Get YOU! The cinnabar threat runs along the foot of the film poster, aimed at whoever was standing in the ticket line. Higher up, Countess Marya Zaleska watches through a slot of absinthe glow. Two pencil-thin brows. Mascara heavy enough to throw shade.

May 1936. Carl Laemmle’s name floats above the title in cream script, two months after his family lost the studio. The film closed the first cycle of classic Universal monsters and sent Gloria Holden’s vampire to London seeking a cure. Production Code censors policed her scene with a young model, and early ads begged somebody to save the women of the city.

Karoly Grosz ran advertising art at Universal Pictures through the 1930s, and his horror one-sheets sold an idea before a scene. This 1936 theatrical release poster borrows the footlight glare of German Expressionism and aims it at a Hollywood glamour mask. Lashes fan out in ink. Moss-wet type weeps canary wax down a soot ground. And this vintage vampire movie poster art print keeps the grain of the color lithograph, a face surfacing in the last unlit second before the projector starts.

Origin Story

Karoly Grosz (1897–1952) was the Hungarian-American illustrator whose lurid, luminous lithographs gave Universal's monsters their first public faces. Born in Hungary and raised in New York, he worked in film advertising from 1920, rising from Selznick Pictures to become advertising art director at Universal by 1930, shaping the studio's campaigns through the decade's dark flowering of horror cinema.

He conjured Dracula, Frankenstein, The Mummy, The Invisible Man and Bride of Frankenstein in saturated oils and watercolour, drawing on Expressionism and Art Deco. His Frankenstein concept art famously birthed the monster's iconic neck bolts. Now scarce, his lithographs rank among the most coveted in film-poster collecting, with his Mummy and Frankenstein sheets shattering auction records and once counting among the priciest prints of any kind.

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Free Shipping + 30 Day Returns

1. Free Shipping

Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

4. Shipped with Love

Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

5. 30 Day Returns

You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included. No returns, refunds or exchanges on discounted or sale items. Read the step-by-step returns process.

  • Made-to-order in USA, UK, EU & AUS
  • Handcrafted and packed with care
  • Every purchase plants a tree
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Fine Art Prints

True-to-life colors for a hundred years of daydreams

Ships in 2-4 days
Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
Classic wood frames
Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
3 framing styles
Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

Framed Canvas

Alive with multidimensional shadows, highlights and contrasts

Ships in 2-4 days
Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
Premium float frames
The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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