Death of Abel - Francois Xavier Fabre Framed Canvas

François-Xavier Fabre painted with the restraint of empire and the libido of myth. Born in Montpellier in 1766, trained in Jacques-Louis David’s Paris then baptized in Florentine excess, Fabre fused neoclassical rigor with erotic suggestion.

His canvases whisper Roman discipline and pulse with Italian appetites. Nudes gleam like marble seduced into flesh. As a salon laureate and private collector, he choreographed male vulnerability into pictorial tension, crafting death, exile, and myth as aesthetic theatre.

Fabre’s brush made murder devotional, made myth anatomical, made bodies into empires of suggestion. He died in 1837, but his paintings still writhe — elegant, pagan, poised to sin.

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