The Yellow River - Fukuda Bisen Samsung Case

Fukuda Bisen (福田眉仙, 1875–1963) traced mountains not just with ink, but with memory, migration, and reverence. Born in Hyōgo’s coastal Akō district, he left for Tokyo at sixteen to study under Kubota Beisen and Hashimoto Gahō—masters of Meiji-era Nihonga. His vision stretched further east: in 1900, he journeyed to China and later Korea, absorbing the literati landscapes that would shape his contemplative style.

Known for his ethereal landscapes and painterly screens—notably for Kyoto’s Daikaku-ji and Jingo-ji—Bisen bridged Japanese, Chinese, and Korean aesthetics without allegiance to any school but nature. His brush held silence, his prints, a kind of breathless distance. Though his fame remained largely domestic, postwar years found him retreating to Ashiya, near Kyoto, where he painted in seclusion until his death in Kurakuen Park.

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