The Torment of Saint Anthony - Michelangelo Buonarroti Art Print

Fine Art Prints

Forget cheap reproductions and printable posters. Only the best will do.

Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

Giclée Printing

A boy of twelve or thirteen is handed a German print in Florence. He answers with a riot. Michelangelo Buonarroti rebuilt Martin Schongauer’s engraving in tempera and oil on panel, in the orbit of the Ghirlandaio workshop, around 1487. The Torment of Saint Anthony is believed his earliest known painting.

Condivi recorded the errand that made the copy his own, a walk to the fish market to study fins and the color of eyes. That lesson glints along the spined demon at left, its flank plated in pewter-silver scales beneath a vermilion wattle. Tormentors hoist the saint into open sky. Claws knot into his lamp-black habit. A tawny brute raises its cudgel over the bald crown, and a cinnabar fiend with a whiskered cat mouth drags at the hem.

The bestiary started as a Late Gothic copperplate from Colmar, Northern Renaissance line that Tuscan color turned to hide and fin. Under the brawl the young painter added what the engraving lacked: a river valley recalling the Arno, its crags laid in olive umber above verdigris water.

This Italian Renaissance art print suits a room wanting evidence that an Old Master began as a child staring hard at a fishmonger’s slab.

1. Free Shipping

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2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

4. Shipped with Love

Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

5. 30 Day Returns

You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included. No returns, refunds or exchanges on discounted or sale items. Read the step-by-step returns process.