Death of the Buddha - Nishimura Shigenaga Art Print

$35USD
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Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

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Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

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Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

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Forget 4 color CMYK. Giclée layers up to 12 — alive with deeper shadows, richer highlights and multidimensional contrasts. Pro-lab printing process helps art stay bold & breathtaking for up to 100 years. And the neo-pigment, water-based inks are 100% non-hazardous and toxin-free.

About the Artwork

Nishimura Shigenaga's Death of the Buddha hangs a persimmon moon over Kushinagar as the world arrives weeping. This woodblock print from Edo period Japan retells the parinirvana, the last passing of Shakyamuni beneath paired sala trees. He lies on his right side. One palm cradles his cheek on a lacquer-black dais. His robe banded in safflower pink.

Grief crowds every inch. Shaven monks press knuckles into wet eyes. Guardians with brick-hot skin sob into their sleeves, and Ananda has fainted beneath the platform.

Above the canopy, Queen Maya drifts down on scrolling clouds with her attendants. She comes one sorrow too late. Her medicine gourd dangles from a branch. Then the animals arrive. A pink elephant lifts its trunk. An indigo lion curls its mane beside a tiger that has forgotten to hunt. An owl blinks. A rooster bows its comb near a coiled blue shishi.

Shigenaga lifted this Nehan-zu scene from temple scrolls, and his ukiyo-e ink carried it into the rented rooms of Edo townspeople. Hang this Japanese Buddhist art print and watch as mourning transforms into reverence and revelation.

Origin Story

Nishimura Shigenaga (c. 1697–1756) was a self-taught Japanese ukiyo-e artist who turned the woodblock print toward the horizon. Born in Edo, he worked as a landlord before running a bookshop in Kanda, where pages and pictures shared shelves. From about 1719, his yakusha-e portraits of kabuki actors followed the Torii school, robes billowing in hand-coloured urushi-e. His later idiom absorbed Okumura Masanobu and Nishikawa Sukenobu.

His uki-e "floating pictures," built on geometric perspective, were outnumbered only by Masanobu's. In 1727 he issued the first set of prints of Lake Biwa, and his landscapes with figures helped establish landscape as a genre within ukiyo-e, a current Hiroshige later felt. Fifty-four Sheets of Genji, with Torii Kiyomasu II, and the Picture Book of Edo Souvenirs (1753) sit beside his kachō-e and historical scenes. Suzuki Harunobu and Ishikawa Toyonobu inherited his vision.

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Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

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Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
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Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
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Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

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Alive with multidimensional shadows, highlights and contrasts

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Artist-grade cotton canvas
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Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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