Death and the Devil Surprising Two Women - Daniel Hopfer Art Print

$35USD
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Fine Art Prints

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Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

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Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

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Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

Giclée Printing

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Forget 4 color CMYK. Giclée layers up to 12 — alive with deeper shadows, richer highlights and multidimensional contrasts. Pro-lab printing process helps art stay bold & breathtaking for up to 100 years. And the neo-pigment, water-based inks are 100% non-hazardous and toxin-free.

About the Artwork

Two Augsburg women lean toward a convex mirror, and the glass flatters them for one more second. Daniel Hopfer caught that second around 1515. History filed it as Death and the Devil Surprising Two Women, a German Renaissance vanitas etched in lampblack on tallow-cream paper.

Look at what the mirror misses. Behind a netted coif and a link chain fat with merchant money, Death lifts a skull above the taller woman's braided bun and crowns her with her own future. His other hand tilts an hourglass. Sand runs. Her friend in the plumed beret keeps a palm on her shoulder, still admiring the necklace. 

Ointment flasks wait on the dressing table. At the balustrade a bristling devil rears on bird claws, a second face leering from his belly. An imp with a spear rides his horns. The city's sumptuary laws rationed chains and velvet by rank, and Hopfer's needle spends ink on every pleat anyway.

Daniel Hopfer's Death and the Devil Surprising Two Women is the Totentanz with the music taken out, a danse macabre shrunk to a single terrace. Hopfer carried etching off the breastplate and onto paper ahead of nearly everyone in the Northern Renaissance. He cross-hatched vanity and rot with equal appetite. But this old master print keeps its memento mori short: a mirror is always the smallest window in the room.

Origin Story

Daniel Hopfer (c. 1470–1536) was the German printmaker who transformed iron and acid into art, pioneering etching as a printmaking medium around 1500. Born in Kaufbeuren and established in Augsburg by 1493, he adapted armor-decorating techniques to create prints on iron plates, establishing the Hopfer style of silhouetted designs against black grounds. His etchings—spanning religious subjects, Landsknechts, and mythological scenes—ranged from line-work to sophisticated multi-bitten compositions that influenced Albrecht Dürer.

The Hopfer family enterprise flourished across three generations, with sons Hieronymus and Lambert carrying the etched tradition to Nuremberg. Though criticized for copying Mantegna, Daniel’s innovation—transferring acid-etched metalwork from sword to paper—established the salability of prints and the publisher business model. His 230 surviving plates, later marked with Funck numbers, remain testaments to Augsburg’s Renaissance ingenuity and the birth of reproducible art.

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Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

4. Shipped with Love

Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

5. 30 Day Returns

You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included. No returns, refunds or exchanges on discounted or sale items. Read the step-by-step returns process.

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Fine Art Prints

True-to-life colors for a hundred years of daydreams

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
Classic wood frames
Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
3 framing styles
Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

Framed Canvas

Alive with multidimensional shadows, highlights and contrasts

Ships in 2-4 days
Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
Premium float frames
The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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