Anatomical Study of a Man's Back and Butt Muscles - Reijer Stolk Art Print

$20USD
  • Printed in USA, UK, EU & AUS
  • Archival grade fine art paper and canvas
  • Giclée printing stays vibrant up to 100 years
  • FSC® paper & wood + non-toxic pigment inks

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Reijer Stolk's Anatomical Study of a Man's Back and Butt Muscles turns the body away from the viewer and reveals more. The posterior silhouette rises in dense lithographic black, the flexed right arm raised behind the skull throwing the biceps and triceps into the composition's apex while the back fans downward — trapezius, rhomboid mass, teres major — each group bounded by white contour line work incised across the flat ink field.

This Dutch early twentieth-century scientific illustration carries a numbered zone system from 1 to 36, the white numerals distributed across latissimus dorsi sweeps, erector spinae columns, gluteus maximus curves, and descending hamstring cells with the quiet authority of an anatomical atlas that has shed every decorative ambition.

What Stolk understood — and what separates this posterior figure study from the crowded tradition of academic back studies — is that the rear view strips posturing from the body entirely. The figure cannot perform for you. It simply loads weight into the flexed arm, tilts the spine, and lets the posterior musculature diagram carry its own argument in lampblack and ruled white line.

Origin Story

Reijer Stolk, born in 1896 in the Dutch East Indies, was an artist whose diverse talents bridged cultures and artistic mediums.

After relocating to the Netherlands, Stolk became a leading figure in the Haarlem School, known for his contributions to photography, painting, sculpture, and graphic design.

His work transformed the European art scene with Indonesian influences, blending tropical roots with Dutch modernism. Stolk's anatomical studies elevated the human form to high art, while his innovations in batik merged Javanese traditions with contemporary design.

Stolk's legacy endures as a testament to creativity that transcends borders and unites cultures.

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Any 2 artworks = 10% off
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Framed Art Prints

How to Hang your Artwork

1. Vertical

Use the sawtooth hanger at the top middle on the back of the frame and hang it on a single screw or nail.

How to Hang your Artwork

2. Horizontal

Hang the two sawtooth hangers on two screws or nails at the same heightPut two screws or nails in the wall at the same height, spaced the same distance apart as the two sawtooth hangers, then hang your print on them.

How to Hang your Artwork

Framed Canvas

How to Hang your Artwork

1. D-rings (most secure)

Screw a D-ring onto the back of the frame on the left and right, both at the same height. A ruler helps here. Then put two screws in the wall where you want your canvas, level with each other and spaced the same distance apart as the D-rings. A spirit level makes this easier. Finally, hook the D-rings onto the screws.

How to Hang your Artwork

2. Straight onto screws

Keep it simple: put two screws in the wall at the same height and rest the inner lip at the top of the back of the frame on them.

How to Hang your Artwork

1. Cost

Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping =

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

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Velvety matte art paper
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Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
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Artist-grade cotton canvas
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The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
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Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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