Nude Soldier - Elisha Kirkall after Louis Cheron Art Print

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Fine Art Prints

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Forget cheap reproductions and printable posters. Only the best will do. Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. 

High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones.

The matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

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Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural.

Each frame is made of sustainably sourced FSC® certified European knotless pine, finished with ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

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Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision. Its natural white surface catches light and color with striking clarity.

A precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect.

Your choice of a black, white or natural frame: all made from sustainably sourced FSC® certified European knotless pine.

Giclée Printing

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Forget 4 color CMYK. Giclée layers up to 12 — alive with deeper shadows, richer highlights and multidimensional contrasts. 

Pro-lab printing process helps art stay bold & breathtaking for up to 100 years.

Neo pigment, water-based inks are 100% non-hazardous and toxin-free. Meeting the strictest industry standards as defined by Oeko-Tex 100 safety applications, Residues Standard List (RSL) and the American Association of Textile Chemists and Colorists.

About the Artwork

The Nude Soldier sits with a borrowed war on his head and nothing left to defend. Elisha Kirkall worked the copper with a rocker until the ground held soot, then burnished the chest back toward near-ivory. The plumed helmet reads as prop. The lance reads as a studio pole. This warrior holds the shape of Mars with no war to put him in.

Bistre brown pools beneath the rib cage. Umber wash sinks into drapery heaped behind the hip, and the raised foot finds its rock with no campaign beyond it. Such academy sheets moved through London printshops as teaching stock for students with no model to pay.

Louis Chéron set the pose first in sanguine chalk for the life room he ran with John Vanderbank on St Martin’s Lane, teaching Georgian London how to look at a torso. Chéron had fled France after Louis XIV unmade the Edict of Nantes, and he carried Baroque drawing practice into English studios.

The chiaroscuro mezzotint keeps the heat of that drawing room, the turned jaw, the long muscle of the extended arm. Clouded sky and low hills sit at his spear-hand, scraped thin. What comes home is an académie in warrior dress, a soldier whose only battle was holding still.

Origin Story

Elisha Kirkall (c.1682–1742) was an English engraver who treated the printing press as a laboratory. Born in Sheffield, a locksmith’s son, he reached London around 1702, worked in the book trade, and studied drawing at Great Queen Street Academy. His type-metal engravings sat beside letterpress, and plates for Ovid’s Metamorphoses and James Gibbs’s A Book of Architecture carried his line into Georgian libraries.

In the 1720s he used the mezzotint rocker to simulate chiaroscuro, printing velvety plates in green ink or à la poupée in several colours. His seven Raphael Cartoons, shipping views after William Van de Velde the younger and the 1724 Heroic Stormy Landscape after Jan van Huysum show a printmaker chasing light through copper. He also copied Hogarth’s The Harlot’s Progress in green mezzotint, and the National Gallery of Art in Washington holds his prints.

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Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery to Your Door In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

4. Shipped with Love

Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

5. 30 Day Returns

You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included. No returns, refunds or exchanges on discounted or sale items. Read the step-by-step returns process.

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Fine Art Prints

True-to-life colors for a hundred years of daydreams

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
Classic wood frames
Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
3 framing styles
Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

Framed Canvas

Alive with multidimensional shadows, highlights and contrasts

Ships in 2-4 days
Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
Premium float frames
The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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