Itsukushima Shinto Shrine - Arnold Genthe Art Print

Fine Art Prints

Forget cheap reproductions and printable posters. Only the best will do. Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. 

High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones.

The matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural.

Each frame is made of sustainably sourced FSC® certified European knotless pine, finished with ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision. Its natural white surface catches light and color with striking clarity.

A precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect.

Your choice of a black, white or natural frame: all made from sustainably sourced FSC® certified European knotless pine.

Giclée Printing

Six hours ago this sand was sea. Arnold Genthe catches the Itsukushima Shinto Shrine gate in the brief window when the ebb tide lets feet go where only boats belong. The island was long revered as a kami's body, so the shrine rose on stilts over water and pilgrims rowed through this torii to reach it.

Shellfish gatherers crouch in the tideflat, hands working the silt. A white-clad figure strolls out from under the ryobu torii, whose four support legs brace it like scaffolding for a ship never launched. Taira no Kiyomori's twelfth-century patronage shaped this shrine, but the camphor trunks in this photograph date from 1875 and still wear their modern bark.

Slate gray cloud presses down on the hills. A rope slices the lower right corner. In the pool the gate flips and wobbles, its roof beam a boat drifting on silver.

The mainland hills across Hiroshima Bay blur into pictorialist soft focus. Then the tidal pool takes over. Pillars sink into silver ripples. Drawn from Genthe's glass plate negatives, this black and white Japan art print ends with the floating torii upside down in a puddle, waiting for the sea to come home.