Hantise (Obsession) - Odilon Redon Art Print

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Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

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Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

Giclée Printing

Three things followed her home. Odilon Redon's Hantise (Obsession) art print catches them mid-drift, parked in the anthracite air around a woman who won't meet their gaze. He drew her on stone in 1893. Léon Monrocq's Paris press pulled fifty impressions on chine appliqué the next year. Redon titled the plate Hantise. Museums translate it two ways: Obsession and The Haunting.

She stands in strict profile, eyelids lowered, a tallow-pale column in an Empire-waist gown. Greasy lithographic crayon rakes down the skirt until its edge kicks out in two stiff fins. Ahead of her, a hollow-eyed mask dangles from a stalk. A ribbed larva hooks in overhead. At her back, a scowling head with no body keeps watch.

Parisians of the 1890s were tipping tables to reach their dead, and Allan Kardec's spiritist handbooks were still in print. Odilon Redon did his summoning in ink. He called his monochrome lithographs noirs and showed them at the Durand-Ruel gallery in 1894, the year this sheet was published. The poet Stéphane Mallarmé, a close friend, prized them. As Gothic wall art, this French Symbolism print keeps one rule: she never turns around.

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Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

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