Falcon on a Willow - Isoda Koryusai Art Print

$25USD
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  • Printed in USA, UK, EU & AUS
  • Archival grade fine art paper and canvas
  • Giclée printing stays vibrant up to 100 years
  • FSC® paper & wood + non-toxic pigment inks

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Isoda Koryusai's Falcon on a Willow drops its gaze like a verdict. Night has swallowed everything in this Edo period ukiyo-e print, leaving the bird to glow in pale reserved paper against a lacquer-black ground. The stone-rubbing style called ishizuri-e carves light out of darkness, so willow fronds hang in rough cream strokes like rain caught mid-fall.

Look at the back. Slate gray feathers stack in scallops that echo seigaiha waves on a kimono hem. The tail runs in barred bands of ash and charcoal. Ochre talons clench the trunk with a hunter's patience, and one amber eye fixes on a camellia bursting coral pink below.

Koryusai walked away from samurai rank to make pictures for the floating world. Under the Tokugawa shoguns, falconry belonged to lords, and a raptor on a Japanese woodblock print carried that clipped authority into merchant homes. This kacho-e keeps the old code in its grip. Indigo pools at the root like a moat. The falcon waits above white blossoms, feathers still, the whole willow trembling against the omen in this raptor's beak.

Origin Story

Isoda Koryūsai (1735–1790) was a Japanese ukiyo-e print designer and painter who traded a samurai's sword for the woodblock. Born Isoda Masakatsu in service to the Tsuchiya clan, he became a rōnin and settled near Ryōgoku Bridge in Edo, signing prints as Haruhiro. When Suzuki Harunobu died in 1770, Koryūsai carried that tender style into the pleasure quarters, dressing courtesans in kimono and elaborate hairstyles.

With some 2,500 designs, he ranks among the eighteenth century's most prolific artists. In hashira-e pillar prints he bent the tall, narrow format into graceful diagonals of sleeve, hem and lattice. His Models for Fashion: New Designs as Fresh Young Leaves ran to 140 bijin-ga, alongside kachō-e bird-and-flower prints and shunga. In 1782 the imperial court named him hokkyō. Long shadowed by Harunobu in Western histories, his work glows by its own lamplight.

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Any 2 wall art treasures = 10% off
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Product information

Produced on Demand

Produced after you purchase at print labs across the US, UK, EU & AUS. Significantly minimising landfill waste by only making things people actually want.

Production Time

Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

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Prodigi's network of print labs:

1. Ensure your new treasure's made as close to you as possible.

2. Adhere to anti child labour and anti forced labour regulations.

3. Provide traceability for core raw materials from suppliers. 

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Cost

Free shipping to Continental United States, Canada, UK, EU, Australia, New Zealand & more: see full list here.

Production + Delivery =

US: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

Every package tracked from A to B to You.

Sent carbon neutral at no extra charge.

Peace of mind your money's being kind.

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30 Day Returns

1. You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included.

2. No guarantees your return will be approved if you send items back before the approval of your return request.

3. No returns, refunds or exchanges on discounted or sale items.

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Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
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Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

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The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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