


Yoro Waterfall in Mino Province - Katsushika Hokusai Art Print
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By the time Katsushika Hokusai signed this sheet "Old Man Mad About Painting," he had spent six decades studying how a single line could hold both stone and motion.
In carved Yoro Waterfall in Mino Province, two travelers climb the granite path below the falls, round sedge hats tilted back, staring up at water that drops in a straight white column between rust-orange cliffs.
Prussian blue, the imported pigment Japanese printmakers called bero-ai, threads the cascade into dozens of parallel lines. Pale where mist swallows the pool, it deepens to near-black cobalt at the lip where water first breaks from rock.
Pine needles comb outward in bottle-green clusters along both cliff edges; a thatched hut leans against the slope, its straw roof catching amber light where afternoon sun slips past the gorge.
This ukiyo-e sheet belongs to A Tour of Waterfalls in Various Provinces, printed when Hokusai was in his seventies. Gifu's mountain shrines and Edo's traveling pilgrims both drew him back toward falling water, print after print, cliff after cliff.
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Framed Art Prints

1. Vertical
Use the sawtooth hanger at the top middle on the back of the frame and hang it on a single screw or nail.

2. Horizontal
Hang the two sawtooth hangers on two screws or nails at the same heightPut two screws or nails in the wall at the same height, spaced the same distance apart as the two sawtooth hangers, then hang your print on them.

Framed Canvas

1. D-rings (most secure)
Screw a D-ring onto the back of the frame on the left and right, both at the same height. A ruler helps here. Then put two screws in the wall where you want your canvas, level with each other and spaced the same distance apart as the D-rings. A spirit level makes this easier. Finally, hook the D-rings onto the screws.

2. Straight onto screws
Keep it simple: put two screws in the wall at the same height and rest the inner lip at the top of the back of the frame on them.

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