Tiger Cleaning its Paw - Kishi Ganku Art Print

$25USD
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  • Printed in USA, UK, EU & AUS
  • Archival grade fine art paper and canvas
  • Giclée printing stays vibrant up to 100 years
  • FSC® paper & wood + non-toxic pigment inks

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In Kishi Ganku's Tiger Cleaning Its Paw the wind can wait. The great cat has stopped mid-step with its head tilted nearly sideways, rolling lime-bright eyes skyward, guilty as a house cat caught on the counter.

That kinship is real. No wild tigers roamed Edo period Japan, so painters stitched theirs together from imported tiger pelts and the tabby dozing by the brazier. Apricot fur rises in thousands of hair-fine brushstrokes. Ink-black stripes pour over the arched back like spilled calligraphy.

Bamboo crowds the left edge. Rust-dotted shrubs flicker like embers along the top corners, and a pale stream threads past mossy boulders on the right. Behind the back, malachite moss beads the rocks and a white cascade slips between them.

Across 19th century Japanese art the tiger and bamboo appear together, muscle beside a stalk that bends without snapping. Here the tiger bends too. This Japanese tiger painting drags its striped tail low through the grass, the tip dipped in ink.

Origin Story

Kishi Ganku (1749–1839) was a Japanese painter whose tigers rank among the Edo period's most commanding. Born Kishi Saeki in Kanazawa, largely self-taught, he absorbed Kano school discipline, the Chinese bird-and-flower realism of Shen Nanpin, and the observed naturalism of the Maruyama-Shijō school before arriving in Kyoto. There he founded the Kishi school, prized for rough, vigorous brushwork and muscular drama. Kishi Ganku +2

Ganku never saw a living tiger. He conjured them from imported skins and a tiger's head shipped through Nagasaki in 1798, adopting the art name Tiger's Head Hall in its honour. Across folding screens and fusuma such as Tigers and Dragon, striped fur bristles against foaming water and gnarled pine. Retainer to Prince Arisugawa, official of the imperial court and honorary governor of Echizen, he taught his son Gantai, Kawamura Bunpō and Yokoyama Kazan.

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Product information

Produced on Demand

Produced after you purchase at print labs across the US, UK, EU & AUS. Significantly minimising landfill waste by only making things people actually want.

Production Time

Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

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2. Adhere to anti child labour and anti forced labour regulations.

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Cost

Free shipping to Continental United States, Canada, UK, EU, Australia, New Zealand & more: see full list here.

Production + Delivery =

US: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

Every package tracked from A to B to You.

Sent carbon neutral at no extra charge.

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30 Day Returns

1. You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included.

2. No guarantees your return will be approved if you send items back before the approval of your return request.

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
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Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
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Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

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Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
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The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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