Saint Roch - Giovanni Paolo Cavagna Art Print

$35USD
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Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones. While the matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

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Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural. Each frame is made of sustainably sourced FSC® certified knotless pine. And your artwork is protected behind ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

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Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision, catching light and color with striking clarity. While a precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect. Finished with your choice of frame color — black, white or natural — made from sustainably sourced FSC® certified knotless pine.

Giclée Printing

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Forget 4 color CMYK. Giclée layers up to 12 — alive with deeper shadows, richer highlights and multidimensional contrasts. Pro-lab printing process helps art stay bold & breathtaking for up to 100 years. And the neo-pigment, water-based inks are 100% non-hazardous and toxin-free.

About the Artwork

Saint Roch, the pilgrim saint, raises a staff knotted with a pale cloth, and his hatted shadow stands against the cream pillar at the right, a second pilgrim in silhouette. A scallop shell on the soot cloak at his chest is the badge of pilgrims to Santiago de Compostela, the shrine of Saint James. One hand pinches a pale cloth at the lifted hem of his tunic, and the bared thigh glows warm as a ripe apricot. Madder hose lies in thick rolls above his boots, the hottest color in a picture of moss and midnight black.

Velvet frames the top and both sides, its folds hanging as heavy as an altar cloth, light streaking down them where the pile bends. Behind the saint a half dome fans out in ribs like a scallop shell, slate in its hollows. Fluted pilasters, flat columns of cream streaked with ochre, rise on either side, a Roman form Renaissance Italy borrowed for a saint's niche.

Men in olive gowns crowd both lower corners, most of them ringed by a stiff pleated linen ruff, the collar fashion of late Renaissance Europe. One man on the right holds a small book out toward his boot. While low on the left a shaggy dog is half hidden among the gowns; Saint Roch usually painted with the dog said to have carried him bread.

In a dining room, the madder stockings glow in shadow, warm as a hearth fire in a cold room. In a bathroom gives you a minute alone with his steady gaze and gentle hand, fingers spreading wide as your own when you lean on the basin to get a closer look.

Origin Story

Giovanni Paolo Cavagna (c. 1550–1627) was a Late Renaissance painter born in Bergamo’s Borgo San Leonardo, a quiet voice of Counter-Reformation devotion. He is said to have trained with Cristoforo Baschenis the Elder, studied under the portraitist Giovanni Battista Moroni, and glimpsed Venice through a Titian studio. From Moroni came sober, searching realism; from Venice, a glow of colour.

Active in Bergamo and Brescia, Cavagna filled altarpieces with devotional drama. Santa Maria Maggiore holds his Assumption of the Virgin, Nativity, and Esther and Ahasuerus, while the Church of Santo Spirito shelters his Santa Lucia and Crucifixion with Saints. Further works endure in Casnigo and the Sanctuary of the Madonna del Castello at Almenno San Salvatore. His son Francesco, called Cavagnuola, and his daughter Caterina also painted.

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Free shipping to Continental USA, Canada, UK, EU, AUS, NZ & more: see full list here.

2. Produced on Demand

Printed after you purchase at print labs across the USA, UK, EU & AUS. Produced, quality checked, packed with care and handed to trusted shipping carriers within 72-96 hours on average.

3. Production + Shipping = Delivery In...

USA: 4-9 days • Canada: 5-12 days • UK: 4-9 days • EU: 5-10 days • AUS: 4-9 days • NZ: 5-12 days • Rest of the world: 3-4 weeks

4. Shipped with Love

Packed securely for bumpy journeys. Every package tracked from A to B to You. Sent carbon neutral at no extra charge. Peace of mind your money's being kind.

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5. 30 Day Returns

You're welcome to open a return / exchange request within 30 days of your order's delivery. All items for return must be delivered back in their original condition, with their original packaging included. No returns, refunds or exchanges on discounted or sale items.

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Fine Art Prints

True-to-life colors for a hundred years of daydreams

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Velvety matte art paper
Heavyweight 200gsm fine art paper. Smooth, clean finish. Naturally white tone. Acid-free to resist yellowing and deterioration.
Classic wood frames
Chevron-cut frame made from solid FSC®-certified sustainable wood. Ultra-clear Perspex glazing. Delivered ready to hang.
3 framing styles
Framed art prints can be shipped with no border, a slim border, or set in a classic acid-free mat. Museum-quality, however you style it.

Framed Canvas

Alive with multidimensional shadows, highlights and contrasts

Ships in 2-4 days
Artist-grade cotton canvas
38mm cotton canvas, ideal for photography, reproductions and impactful graphics. Luxurious, matte surface delivers depth and detail with outstanding clarity.
Premium float frames
The thin frame sits slightly away from the edge of the canvas, creating an elegant, gallery-worthy floating border.
Care in every detail
Canvas stretched over FSC®-certified, knot-free European pine. Milled with a curved profile to prevent pressure marks and surface cracks.

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