Myriad Birds, Insects and Flowers - Ueno Setsugaku Art Print

Fine Art Prints

Forget cheap reproductions and printable posters. Only the best will do. Velvety matte fine art paper (warm white, archival-grade, 200gsm) with bold, vibrant, non-toxic pigment inks. 

High-definition print lab techniques give you sharper details, deeper saturation and true-to-life tones.

The matte surface keeps glare down and archival-grade materials mean the colors you fall for stay vivid for decades.

Framed Fine Art Prints

Your print arrives framed and ready to hang, so it goes straight from the box to your wall.

Chevron cut wooden frames make a timeless statement in three distinctive colors: black, white and natural.

Each frame is made of sustainably sourced FSC® certified European knotless pine, finished with ultra-clear perspex glaze that’s lighter than glass and shatter-resistant.

Float Framed Canvas Prints

Luscious artist-grade cotton canvas, hand-stretched and finely textured, gives every detail depth and precision. Its natural white surface catches light and color with striking clarity.

A precisely measured floating frame leaves a slim gap around the canvas, so it seems to hover with a sleek, gallery-worthy effect.

Your choice of a black, white or natural frame: all made from sustainably sourced FSC® certified European knotless pine.

Giclée Printing

Spring forgot to leave in Ueno Setsugaku's Myriad Birds, Insects and Flowers, and summer showed up anyway. Cherry blossom crowds the top branches of this Edo period hanging scroll. Morning glory climbs through peonies. Autumn chrysanthemums flare at lower left, and a periwinkle iris keeps company with the cinnabar seals opposite.

In fact, Setsugaku paints the whole year at once. Two white pheasants stoop through the flowerbed, their plumes drawn in ink hairlines so fine they look combed. Soot-black magpies squabble in the grass below. Golden orioles flash from sage leaves overhead, and emerald jewel beetles crawl the foliage like dropped earrings.

He learned this packed exuberance in Kyoto under Yamamoto Baiitsu, whose Chinese-flavored bird-and-flower painting taught him to fill a surface without choking it. Ink and color on silk give this kachō-ga its honeyed ocher ground. Celadon hydrangeas cool the center. Near the bottom edge a lone dragonfly is still deciding where to land.

Hang this Japanese scroll painting print by a window, and watch its tea-gold silk take the late light like an ember that never went out.