Magnolia - Charles Walter Stetson Phone Case

Finishes

• Gloss for a lustrous statement
• Matte for velvety refinement

Reasons to Love Them

• Dual layer case offers extra protection for the accident prone — durable shatterproof outer layer, tight silicone inner layer for shock absorption
• HP print quality and finish
• Open access to ports/buttons
• Raised rim guards screen/camera
• Snaps on/off with ease
• Sublimated printing means the artwork on your case won't fade, crack or peel
• Certified non-toxic by REACH, RoHS and TÜV Rheinland

Production

• Printed locally in USA, UK, EU & AUS
• Made-to-order in 2-3 days on average

6 Month Warranty

Your new treasure comes with a 6 month warranty, protecting against any defects and faults that can be traced to its production. Meaning if your treasure develops a fault or defect due to its components or construction, you’ll get a replacement sent out free of charge — no surprise extras, no runaround.

On this phone case, Stetson's Magnolia emerges from tenebristic void like a breath withheld. The American painter set cream-white petals against bituminous darkness, building form through tonal shifts from pale celadon to soft cerulean where folds deepen.

His oil technique—wet layers dragged with hog-bristle confidence—leaves visible evidence across every curved surface. The chartreuse pistil sits centered, its yellow-green intensity drawing the eye inward past stamen and stigma. Hunter-green leaves catch edges of light, their glossy surfaces contrasting the matte black ground where olive-brown underpainting barely surfaces.

Stetson worked in Providence during the Gilded Age, a Tonalist who found eloquence in floral subjects when portraiture commissions slowed. This magnolia holds that same concentrated stillness, nineteenth-century botanical painting scaled for contemporary grip.