Lasting Legacy of The Germ Periodical

细菌期刊的持久遗产

胚芽:种子前 - 拉斐尔岩美学

一群年轻艺术家和作家,拉斐尔前兄弟兄弟会试图在19世纪中叶彻底改变艺术界。他们拒绝了盛行的学术和举止主义方法,他赞成回归意大利早期文艺复兴时期的艺术原理和实践。兄弟情谊在艺术中拥抱了自然,纯洁和真理,努力在视觉艺术和文学之间建立更紧密的联系。这种革命运动诞生了一个独特的期刊,该胚芽于1850年建立,以传播他们的思想,创意作品和批判性论文。

胚芽:艺术理想的宣言

杂志的出生和演变

该细菌最初以“艺术和文学中的自然思想”出版,是由拉斐尔兄弟会的创始成员之一但丁·加布里埃尔·罗塞蒂(Dante Gabriel Rossetti)构想的。该期刊由他的兄弟威廉·迈克尔·罗塞蒂(William Michael Rossetti)编辑,其中包括其他著名兄弟会成员的贡献,例如约翰·埃弗里特·米拉斯(John Everett Millais),威廉·霍尔曼·亨特(William Holman Hunt),托马斯·伍尔纳(Thomas Woolner)和詹姆斯·科林森(James Collinson)。

该杂志在两个问题后进行了标题更改,采用了更明确的名字“艺术与诗歌,对自然的思想,主要由艺术家进行。”不幸的是,尽管其创作者和贡献者的热情充满了热情,但该期刊仅在四个问题之后就在销售不佳和销售中挣扎。

细菌的独特功能

细菌的含量和结构与众不同。每个问题始于兄弟会成员的原始蚀刻,然后是诗歌,历史和批判性论文以及偶尔的书评。这些作品涵盖了一系列主题,包括早期的意大利艺术家,该组织钦佩并试图效仿。期刊的最终目标是培养一个艺术家和作家社区 拥抱大自然他们的工作中的简单性和真理。

细菌的艺术和文学

艺术贡献

该细菌展示了拉斐尔派前兄弟会的艺术才能,展示了各种成员的插图。其中包括:

  1. 威廉·霍尔曼·亨特(William Holman Hunt)在第一期中为伍尔纳(Woolner)的诗《我的美丽女士》(My Beautiful Lady)的插图。
  2. 詹姆斯·科林森(James Collinson)在第二期中对他的诗《孩子耶稣》(The Child Jesus)的自我灌装。
  3. 福特·马多克斯·布朗(Ford Madox Brown)对李尔王(King Lear)和他的女儿的两页描述,伴随着他关于第三期历史绘画机制的文章。
  4. 沃尔特·德弗雷尔(Walter Deverell)在最后一期中对莎士比亚第十二夜的中提琴和奥利维亚(Olivia)的描绘。

这些艺术品是兄弟会原则的视觉表现,强调了它们对自然和人类想象力的奉献。

文学作品和贡献者

该细菌也是拉斐尔特兄弟会及其同事的文学努力的平台。丹特·加布里埃尔·罗塞蒂(Dante Gabriel Rossetti),威廉·迈克尔·罗塞蒂(William Michael Rossetti),托马斯·伍尔纳(Thomas Woolner)和詹姆斯·科林森(James Collinson)的诗歌与福特·马德斯·布朗(Ford Madox Brown),考文垂·帕特莫尔(Coventry Patmore)等有关艺术和文学作品的论文展示了其页面。

该期刊最著名的贡献之一是丹特和威廉·迈克尔的姐姐克里斯蒂娜·罗塞蒂(Christina Rossetti)的诗。她的诗歌以化名“艾伦·艾利(Ellen Alleyn)”出版,她瞥见了她的早期职业生涯,并为主要是男性驱动的出版物增添了独特的女性视角。

细菌的遗产

限量版和传真重印

尽管寿命很短,但该胚胎对艺术和文学世界留下了持久的印象。 1898年,由托马斯·M·莫瑟(Thomas B.该特别版包括胚芽的所有四本书,强调其持久的意义。

1901年,Elliot Stock出版了所有四卷的传真版,以及威廉·迈克尔·罗塞蒂(William Michael Rossetti)的“序言”。此版本以一条滑行式发行,旨在保留期刊的原始精神和内容,使新一代的读者能够欣赏到拉斐尔特兄弟会的想法和艺术表达。

细菌对拉斐尔前运动的影响

尽管细菌是短暂的,但它作为拉斐尔前兄弟会前兄弟会的激进思想和创意作品的遗产不能被夸大。这个期刊不仅为兄弟会传播其哲学和艺术原则提供了一个空间,还为为运动做出了贡献的艺术家和作家提供了宝贵的见解。

该细菌证明了拉斐尔前兄弟会对艺术和文学融合的承诺,以及他们对自然,简单和真理的奉献精神。期刊对这些主题的关注不仅有助于塑造运动,还可以 启发了后代的艺术家和作家 探索类似的理想。

细菌的持久意义

细菌是拉斐尔前兄弟会的艺术愿景和理想的显着体现。尽管它在销售不佳并最终停止出版物中挣扎,但它对艺术和文学世界的影响是不可否认的。细菌展示了其贡献者的才华,促进了他们的革命思想,并为拉斐尔派运动前运动原理的表达提供了独特的平台。它的遗产通过随后的版本和传真重印,确保兄弟情谊的精神及其开创性的期刊将继续激发和影响几代人的艺术家和作家。 

...

常见问题解答

威廉·莫里斯常见问题解答

The primary goal of The Germ periodical was to disseminate the ideas of the Pre-Raphaelite Brotherhood, a group of English painters, poets, and art critics founded in 1848 2. The magazine, published in 1850, aimed to emphasize the editors' belief that poetry and art should be closely intertwined and focused on the importance of nature and the human imagination 1.

The Germ featured poetry, essays on art and literature, and contributions from both members and non-members of the Pre-Raphaelite Brotherhood, such as Christina Rossetti, Coventry Patmore, and Ford Madox Brown 3.

Although the magazine only survived for four issues between January and April 1850, it played a significant role in promoting the Pre-Raphaelite movement's ideas and artistic vision 1.

The Pre-Raphaelite Brotherhood was founded in 1848 by three Royal Academy students: Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais1. The group was formed in reaction against the Royal Academy's promotion of the Renaissance master Raphael and the artificial historical painting of the time 2. They sought to express a new moral seriousness and sincerity in their works, drawing inspiration from Italian art of the 14th and 15th centuries 1. The name "Pre-Raphaelite" expressed their admiration for the direct and uncomplicated depiction of nature typical of Italian painting before the High Renaissance, particularly before the time of Raphael 1.

The founding members were soon joined by James Collinson and Frederic George Stephens (both painters), William Michael Rossetti (a poet and Dante Gabriel Rossetti's brother), and Thomas Woolner (a sculptor and poet) 13. The Brotherhood was not a hereditary school, and its members were not related by blood; instead, they were united by their artistic vision and goals 7.

The Pre-Raphaelite Brotherhood emphasized the importance of each artist's interpretation and agency, focusing on having genuine ideas to express, studying nature attentively, and rejecting the traditional techniques and compositions of the Royal Academy 14. Their works often featured religious, literary, or moralizing themes, and they were inspired by the simpler world of early Christian art from the 14th century 14.

Although the original Brotherhood only existed for about five years, the term "Pre-Raphaelite" persisted and was widely used in Britain for many years 3. The influence of the Pre-Raphaelites lived on in many artists and artistic movements, even after the Brotherhood disbanded 5.

The Germ periodical was published for only four issues between January and April 1850. The magazine was established by the Pre-Raphaelite Brotherhood to disseminate their ideas and featured poetry, essays on art and literature, and contributions from both members and non-members of the Brotherhood. Despite its short run, The Germ played a significant role in promoting the Pre-Raphaelite movement's ideas and artistic vision 1.

The Germ periodical struggled with poor sales for several reasons. First, the magazine's content and style did not resonate with the general public, as it was primarily focused on the ideas and works of the Pre-Raphaelite Brotherhood, a group of artists and writers with a specific artistic vision 2. The magazine's content included poetry, essays on art and literature, and contributions from both members and non-members of the Brotherhood, which may not have appealed to a broader audience 1.

Second, the magazine faced logistical and financial challenges. The initial print run of 700 copies for the first issue resulted in only 70 copies sold, and the print run was reduced for later editions, but sales did not improve 7. The financial losses were largely borne by George Tupper, who had a stake in the publication 7.

Lastly, the magazine's short run of only four issues between January and April 1850 may have contributed to its lack of success, as it did not have enough time to establish a strong presence in the market and attract a wider readership 1. Despite its poor sales, The Germ played a significant role in promoting the Pre-Raphaelite movement's ideas and artistic vision 1.

The significance of Christina Rossetti's contributions to The Germ lies in her role as the sole female contributor to the Pre-Raphaelite Brotherhood's periodical, which aimed to disseminate their ideas on art and literature 6.

Christina Rossetti, sister of Dante Gabriel Rossetti, one of the founding members of the Brotherhood, contributed seven poems to The Germ under the pseudonym "Ellen Alleyne"13. Her involvement in the publication not only showcased her poetic talent but also demonstrated the Pre-Raphaelite Brotherhood's openness to including works by non-members and women in their artistic endeavors 1.

Christina Rossetti's poetry in The Germ adhered to the Pre-Raphaelite aesthetic, characterized by rich detail, symbolism, and intense feeling 17. Her contributions to the periodical helped to promote the Pre-Raphaelite movement's ideas and artistic vision, despite the magazine's short run of only four issues 1. Furthermore, her involvement in The Germ and her close association with the Pre-Raphaelite Brotherhood solidified her place as an important figure in the Pre-Raphaelite movement 9.

威廉·莫里斯(William Morris)是一位多才多艺的艺术家,设计师,工匠,诗人,作家和社会主义活动家。他被公认为是19世纪英国艺术运动中最重要的人物之一。

手工艺运动是19世纪后期在英国出现的设计运动。威廉·莫里斯(William Morris)是这一运动的创始人之一,他通过设计师,作家和工匠为其做出了重大贡献。莫里斯(Morris)认为,每个人都应该访问设计,而美丽应该是日常生活中不可或缺的一部分。他强调了手工制作的物体和传统技术在设计中的重要性,他的作品对艺术和手工艺运动的发展产生了重大影响。

威廉·莫里斯(William Morris)的作品涵盖了许多不同的媒介,包括纺织品,墙纸,家具和书籍设计。他的一些最著名的作品包括“柳树boughs”墙纸设计,“红房子”(他为自己和家人设计的房屋),以及他对中世纪文本的翻译,例如“奥德赛”和“ nibelungenlied”。

威廉·莫里斯(William Morris)是一位坚定的社会主义者,并认为艺术和设计应该满足人们的需求,而不是富裕精英的利益。他的政治信仰以多种方式影响了他的工作。例如,他主张使用传统技术和手工艺,作为赋予工人权力和促进技能的一种方式。他还认为,无论他们的社会或经济状况如何,每个人都应该使用设计。

Kelmscott出版社是威廉·莫里斯(William Morris)于1891年创立的私人新闻界。媒体以其高质量的工艺和对细节的关注而闻名,并制作了一些最美丽,最有影响力的艺术和手工艺品运动。 Kelmscott Chaucer是Geoffrey Chaucer的《坎特伯雷故事》(Canterbury Tales)的大量插图版,也许是新闻界最著名的作品。

威廉·莫里斯(William Morris)的作品对设计和艺术有持久的影响。他对美和工艺,对传统技巧和手工艺的承诺以及他的政治信仰都影响了当代的设计和艺术。莫里斯(Morris)的工作继续激发了当今的设计师和艺术家,他对熟练劳动的价值以及社会和经济正义的重要性的观念仍然相关和重要。莫里斯的遗产证明了艺术和设计的力量激发变革和促进社会和经济平等。

更道德的宝藏